Tascam GVI Manual do Utilizador

Consulte online ou descarregue Manual do Utilizador para Sintetizador Tascam GVI. Tascam GVI User's Manual [en] Manual do Utilizador

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Página 1 - Owner's Manual

Owner's ManualQuickEdit and GigaPulse Addendum100206

Página 2

Special Curve: Velocity Range: Use the velocity range slider to select one of five velocity response offsets for the specified velocity respons

Página 3 - CHAPTER 12: QUICKEDIT VIEW

INSTRUMENT GLOBAL SECTION Pitch Bend Range: Instrument Global settings apply to all regions and dimensions of the instrument currently being edited.

Página 4 - MIDI SELECT

AMPLITUDE ENVELOPE SECTION Preattack: The Pre-attack level is adjusted with percentage numbers (0-100). It is the very first point of a sample’s

Página 5 - EDIT MODE

PITCH ENVELOPE SECTION Attack: The pitch Attack time is measured in seconds (0-60). This value determines the amount of time that it takes for a

Página 6

AMPLITUDE LFO SECTION LFO Frequency: The Amplitude LFO Frequency value can be set between 0.1 and 10 Hz and controls the rate at which the Amplitu

Página 7 - GVI GENERAL TAB

PITCH LFO SECTION LFO Frequency: The Pitch LFO Frequency value can be set between 0.1 and 10 Hz and controls the rate at which the Pitch LFO oscil

Página 8 - VELOCITY RESPONSE SECTION

GVI FILTER TAB FILTER SECTION Filter Type: This drop-down menu allows you to enable/disable filtering and select which type of filter will be use

Página 9 - Non-Linear Curve:

Note: This parameter is only available if the Cutoff Controller is set to “None”. Minimum (Min) Cutoff: This value places a limit on the lowest filter

Página 10 - Special Curve:

FILTER ENVELOPE SECTION Preattack: The Filter Pre-attack value is adjusted with percentage numbers (0-100). Preattack offsets the initial Filter

Página 11 - GVI AMPLITUDE/PITCH TAB

19MIDI CONTROL SECTIONFILTER ENVELOPE MODULATIONe Filter Envelope Modulation controls I rs. nvert: When enabled, this setting reverses the incoming

Página 12 - AMPLITUDE ENVELOPE SECTION

2 CHAPTER 12: QUICKEDIT VIEW... 3 Instrument Sel

Página 13 - PITCH ENVELOPE SECTION

FILTER LFO SECTION 20he Frequency: The Filter LFO frequency value can be set between 0.1 and 10 Hz and controls the rate at which tLFO oscillates. C

Página 14 - AMPLITUDE LFO SECTION

GVI LOOP TAB SAMPLE START SECTION Sample Start: This option alters the sample attack to start after the beginning of the wave sample. The value is

Página 15 - PITCH LFO SECTION

QUICKEDIT WAVEFORM VIEW The Waveform view provides valuable visual feedback when adjusting Envelope, LFO, and sample loop points. There are three bas

Página 16 - GVI FILTER TAB

simply click and drag one of the handles. WAVEFORM DISPLAY WINDOW In addition to being a simple graphical display for the sample waveforms, the Wav

Página 17

CHAPTER 13: GIGAPULSE VIEW GigaPulse is a world class Convolution Modeling and Reverb Plug-in that has been integrated directly into GVI for automatic

Página 18 - FILTER ENVELOPE SECTION

GIGAPULSE IN THE MIDI MIXER GigaPulse Convolution can be used to model environments, instrument bodies, signal paths, digital reverbs, and pretty much

Página 19 - SECTION

INPUT SECTION Bypass: Use the Bypass Button to quickly enable or disable the GigaPulse effect. When Bypass is enabled, the button will be lit up green

Página 20 - FILTER LFO SECTION

Acoustic Space Bank Menu: The Bank Menu brings up a drop-down list of all the available GIG Instrument Banks (GIB) that were encoded into the loaded G

Página 21 - LOOP SECTION

28if the soundwMute: Silences the Master or the individual channels, but the processing is still On: The On button turns off the individual micr

Página 23 - Envelope and LFO Selection:

CHAPTER 12: QUICKEDIT VIEW QuickEdit is a powerful tool that provides easy access to instrument/dimension specific synth parameters like attenuation,

Página 24 - CHAPTER 13: GIGAPULSE VIEW

MIC REPLACEMENT SECTION The Mic Replacement section is Mic Group specific, meaning that original and replacement Mic selections only affect the curre

Página 25 - OPENING THE GIGAPULSE UI

Pattern: Most microphones have a choice of polarity patterns. Some have just one pattern while others have up to 5 patterns. Click on the Pattern Butt

Página 26 - ACOUSTIC SPACE SECTION

GVI PLACEMENT SECTION There are two types of buttons present in the Placement Section window, the source placement (where the performer is located

Página 27 - MIC GROUP SECTION

MIC TO FX BUS ROUTING SECTION 33The FX Bus Routing Matrix allows you to independently route each microphone placement contained within an impulse

Página 28

EDIT MODES AND SELECTIONS In a Giga instrument, every keyboard region has its own parameter settings for envelopes, LFOs, filters, and the like. The k

Página 29

EDIT MODE This affects how changes are applied when more than one region or split is selected for editing. Absolute: When you change a value in the

Página 30 - MIC REPLACEMENT SECTION

DIMENSION SELECT DROP-DOWN MENU This is similar to the Keyboard Select menu, but it governs the selection of splits within each keyboard region, as

Página 31

QUICKEDIT ARTICULATION TABS GVI GENERAL TAB Volume: The Volume knob simply attenuates a region’s playback level between 0 and 98 decibels. A Volume

Página 32

VOLUME MODULATION SECTION Controller Drop-Down: This menu allows you to assign a MIDI continuous controller for real-time volume attenuation control.

Página 33

Velocity Curve: There are three general response curves available: Linear, Non-Linear, and Special. See the diagrams below for a graphical representat

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